Monday, March 16, 2015
Wednesday, March 11, 2015
Monday, March 9, 2015
Kiln cast glass inspo images
☾hristina Bothwell
Dreaming In Color, cast glass, raku clay 8.5 x 8.5 x 8.5 inches
Soul of My Soul, 2011, cast glass, raku clay, oil paints
Dreaming In Color, cast glass, raku clay 8.5 x 8.5 x 8.5 inches
Soul of My Soul, 2011, cast glass, raku clay, oil paints
Might As Well Be Spring, cast glass, raku clay, oil paints, 12″ x 15″ x 12″
Brenda May
kiln cast glass 6 x 19 x 10cm
Barbara Barnett
Swimmer kiln cast crystal 6 1/4 x 18 x 8 1/2, 2013
Brenda May
kiln cast glass 6 x 19 x 10cm
Barbara Barnett
Glass 12x8x2″ 2009.
[artist(s) unknown] Art gallery exhibit for Isabel De ObaldÃa: Metates
Smiling Crocodiles kiln cast crystal 14 1/2 x 23 1/2 x 5 3/4, 2013Swimmer kiln cast crystal 6 1/4 x 18 x 8 1/2, 2013
Tuesday, March 3, 2015
Project statement
The paper sculpture project I have done had definitely been the most interesting project I have done, yet. It has also been the most difficult. The whole idea was to create a 3-dimensional piece; whether it be an animal, habitat, etc., that would be wall, floor, or pedestal-based. The challenge behind it was for students to try to avoid a pedestal-based piece. I chose a wall-based shadow box. The interesting challenge behind the shadow bow is that every part that helps build up the entire structure of the piece, must either be hidden from the viewer, or work into/ as a part of the piece (i.e. tape, glue, foam-core).
The first half part of the assignment was to search for images of inspiration. I went with a Southwestern Desert idea- an environment. In order to get the idea across to the viewer, I had to switch from a mountain range, to the more iconic, red stone mountains. This changed the project from foam-core mounted pieces to pop up shapes, which would play the shapes of the animals, plants, and scenery. It was not soon after suggested I do an elongated view, by playing with the size of the pieces, which is where the howling wolf came from. This had to be the most fun, in my opinion, playing with the sizes and seeing how they would make the bow seem more realistic in a final design. What had to be the most difficult was how the red stone mountains would pop up to get the right illusion, and the wolf howling itself- because I had to include the border while still get a design that would permit the wolf to swing around and be folded into place. After 3 mockups of the design and a little tape and glue, I fixed the two problems. Not all the design was pop-up, with certain aspects added for the effect of texture.
The first half part of the assignment was to search for images of inspiration. I went with a Southwestern Desert idea- an environment. In order to get the idea across to the viewer, I had to switch from a mountain range, to the more iconic, red stone mountains. This changed the project from foam-core mounted pieces to pop up shapes, which would play the shapes of the animals, plants, and scenery. It was not soon after suggested I do an elongated view, by playing with the size of the pieces, which is where the howling wolf came from. This had to be the most fun, in my opinion, playing with the sizes and seeing how they would make the bow seem more realistic in a final design. What had to be the most difficult was how the red stone mountains would pop up to get the right illusion, and the wolf howling itself- because I had to include the border while still get a design that would permit the wolf to swing around and be folded into place. After 3 mockups of the design and a little tape and glue, I fixed the two problems. Not all the design was pop-up, with certain aspects added for the effect of texture.
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